Volume I No. 7: December, 2018About RHINO Reviews View All
Helen Degen Cohen’s poems are irrepressibly lyrical, and I will miss her voice.
Hashmi accomplishes the admirable double task of complicating the ghazal and simplifying it.
Prepare to put a bunch of quarters in the “swear jar.”
Now the inert body in the casket, with its glamorous makeover, is no longer the real mother …
In Quesada’s poems, the lyric bursts unexpectedly in the narrative …
The collection is an elegy for a disappearance of culture, a letter explaining assimilation, and a family photo album …
Afraid of what he might become, the speaker recounts a family story …
Dela Peña’s supple and formally satisfying debut collection abounds in musical motifs …
Everybody likes Hesiod without knowing it.